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Williams College Museum of Art News - August 9, 2022

Arts and Entertainment

August 11, 2022

From: Williams College Museum of Art

Student show closing soon
The 2022 senior studio art major exhibition Searching for Sticky Voids closes Sunday, August 21.

Come see the work of nineteen recent Williams graduates and emerging artists in this multimedia exhibition. Marjorie Kaye writes in the July/August issue of Artscope magazine: “Much of the work is coming directly from the experience of a young person in this country’s current climate, and laced with irony; it reads as a catalyst for a call to action.”

Use the link button below to explore the virtual exhibition.

Searching for Sticky Voids

New videos about new acquisitions
Check out the new Remixing the Hall playlist on our YouTube channel to learn more about this iterative exhibition that reconsiders our collection in the context of contemporary issues, shares the latest research on collection objects and histories, and presents new acquisitons in dialogue with long-held works.

Short videos by Mellon Curatorial Fellows Nicholas Liou MA ’24 and Jordan Horton MA ’23 introduce works by Guadalupe Maravilla and Allison Janae Hamilton, recently selected for the museum by students in the Acquiring Art course, co-taught by WCMA curator Kevin M. Murphy and Economics professor Stephen Sheppard.

Remixing the Hall playlist

Mary Ann Unger exhibition review
Read Cassie Packard’s July 27 review of Mary Ann Unger: To Shape a Moon from Bone in Frieze online. Packard begins:

It has been more than 20 years since the last museum survey devoted to the work of formidable sculptor and draughtswoman Mary Ann Unger. At Williams College Museum of Art, this long-overdue exhibition, sensitively curated by Horace D. Ballard, spans two decades of Unger’s materially restless artistic production from 1975 to 1997. Assimilating a wide range of works–including her bronze torsos cast from twigs, her exactingly gridded watercolours, and her large-scale sculptural abstractions – ‘To Shape a Moon from Bone’ foregrounds Unger’s exploratory ethos as it draws out the investments in modularity, biomorphism and tactility that permeeated her work throughout her career.

Click the link button below to read the full review.

Frieze review